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1·Havelock Ellis used the terms eonism and sexo-aesthetic inversion to describe similar cross-gender feelings and behaviors.

哈夫洛克·埃利斯使用“异装癖”和“性反感”来描述类似的跨性别感觉和行为。

2·The lawyers have represented clients from every borough in the Manhattan court, with applicants ranging from occasional cross-dressers to people who have completed gender reassignment surgery.

律师们在曼哈顿法院已经代表了各个区的客户，客户的范围从偶尔装扮模仿异性的人到已经完成了性别再造手术的人。

3·Individuals with gender identity disorder have strong cross-gender identification.

患有性别错位症的人有强烈的性别转换倾向。

4·Today, the main obstacle to cross-gender friendships is often jealousy from a romantic partner. To overcome this, communication is essential.

现如今，这种跨越性别的友谊所面临的主要障碍往往是另一半的嫉妒。想要克服这点，沟通交流尤为重要。

5·The distinction between these children and gender identity disordered children is that the latter experience significant interference in functioning because of their cross-gender identification.

这些孩子们和有性别错位症的孩子们的区别在于：后者由于对异性性别有认同感，所以在行为方面受到明显的干扰。

6·Other performers cross-dress because they seek to break down gender barriers, such as the famous stand-up comedy artist Eddie Izzard.

其他的表演者变装，是因为他们想冲破性别障碍，比如同样著名的喜剧艺术家伊扎德。

7·This kind of cross-gender relationship is often a more successful model than same-gender, because it is less competitive, says Prof Schwass.

施瓦斯教授说：“这种异性亲子合作关系通常比同性亲子合作关系更成功，因为异性亲子之间的竞争程度较小。”

8·By applying this concept in translation, I propose that the translator can cross the gender border and present androgynous perspective in translation, which is more complicated than the writer's.

通过将这一概念应用于翻译研究，本文指出译者在翻译中同样会跨越性别的界限，呈现更为复杂的双性视角。

9·Cross-cultural communication, to a large extent, is cross-gender communication.

跨文化交际在很大程度上涉及的是跨性别交际。

10·Cross-dressing, single-gender theater groups have a long history in Japan.

单性别变装剧团在日本有悠久的历史。