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1·Express formal aesthetic perception by lighting design.

通过照明设计，提供照明形式美感的实现。

2·The sense of taste and its aesthetic perception are very complicated.

味觉及其美感问题是一个十分复杂的问题。

3·In music appreciation, music works become the object of aesthetic perception.

音乐作品通过具有感知能力的欣赏者的知觉感知成为审美对象。

4·Aesthetic perception can make introvert motion and extrovert motion because of it's carrier.

美感可基于其载体作内向运动和外向运动。

5·Both of the beautiful and the aesthetic perception inseparably arise from the aesthetic creation.

美与美感都是审美创造的产物，二者不可分割。

6·In the perspective of the anthropology, the core and root of Mongolian aesthetic perception is the beauty of toughness.

在人类学的视阈中，蒙古族审美观念核心和本根是刚性之美。

7·Aesthetic property and Expressiveness are two essential definitions which decide whether aesthetic perception exists.

“审美属性”、“表现性”是审美知觉是否存在的两个关键性概念。

8·Those characters in Chinese contemporary novels with special tragic aesthetic perception reflect the value and significance of lives.

中国现代小说中的人物形象以独特的悲剧美感形态体现着人类的价值，显露着人生的意义。

9·Complicated design is derived from simple structure. Concisedesign is more like an extraction and abstraction of aesthetic perception.

复杂的设计源于简单构造，简约的设计更像是对美感的一种提取和抽象。

10·It has presented the special visual aesthetic perception of plaster decorative materials for its special model and decorative pattern.

由于其特殊的造型表现形式和装饰纹样的组织方式，形成了石膏装饰材料独特的视觉美感。

美感

1·The sense of taste and its aesthetic perception are very complicated.

味觉及其美感问题是一个十分复杂的问题。

2·It has presented the special visual aesthetic perception of plaster decorative materials for its special model and decorative pattern.

由于其特殊的造型表现形式和装饰纹样的组织方式，形成了石膏装饰材料独特的视觉美感。

3·From the general characteristics of cognition and aesthetic perception, perception towards colors, lines, sounds and shapes inevitably carries on deformability.

从认识的一般特性及美感的特性来看，人对色彩、形态、线条、声音等感知必然带有变形性。

4·Those characters in Chinese contemporary novels with special tragic aesthetic perception reflect the value and significance of lives.

中国现代小说中的人物形象以独特的悲剧美感形态体现着人类的价值，显露着人生的意义。

5·Liang Zongdai judges symbolism works by aesthetic perception, which makes him confuse the broad sense of symbolism and the narrow sense of symbolism.

梁宗岱以这种类似移情作用的美感经验的存在与否，作为判断象征主义作品的标准，并造成了其对广义象征主义与狭义象征主义的混淆。