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1·The distance of the gap needs to be between the outer limits of boredom and overstrain according to Iser.

根据伊瑟尔的观点，这种差距应该在无聊和过度劳累的外部界限之间。

2·It's put in a different way by Iser, but it is in a large degree the same idea.

伊瑟尔用了不同的方法来讲述，但很大程度上说的也是同一概念。

3·So these are forms of the experience of reading fiction of which Iser disapproves because there's no work being done.

这就是那些阅读小说经历的形式,伊瑟尔不赞同这种形式，因为这种阅读没有任何成就。

4·After that, Iser makes a thorough inquiry about the intrinsic compose of literary - repertoire and strategies.

在这之后，伊瑟尔对文学本文的内在构成——“剧目”与“策略”进行了具体而详细地探究。

5·It's the vocabulary, it's the complexity of the thought, and so on that makes it difficult. Iser acknowledges this.

是词汇，思想的复杂性等等，使它变得难懂，伊瑟尔承认这一点。

6·Iser says that a literary work has two poles, the author's text and the realization accomplished by the reader.

伊瑟尔说每部文学作品都有两个支柱，即赋予作者思想的“原文”和“读者读时版本”。

7·So these are forms of the experience of reading fiction of which Iser disapproves because there's no work being done.

这就是那些阅读小说经历的形式，伊瑟尔不赞同这种形式，因为这种阅读没有任何成就。

8·I think that the distinction Iser is making between reading and interpretation can be understood in much the same way.

我想伊瑟尔想指出的，阅读与诠释之间的差异也基本上也可以这样理解。

9·This of course brings us to the issue of gaps and the role that they play in the act of reading as Iser understands it.

这理所当然地把我们引到了“间隙“的问题上“,以及照伊瑟尔的理解,间隙在阅读中起到的作用。

10·It has to be a bigger distance, a broader abyss, and that's what Iser is working with in the passages I'm about to quote.

它必须是一个更大的距离，更宽的深渊，这就是伊瑟尔在我想引用的那些话里面所试图说明的。