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1·S. 429, Polonaise from Eugene Onegin (1879).

波兰舞曲从叶甫盖尼奥涅金（1879）。

2·Since the New Age in China, the study of Eugene Onegin has been diverse and colorful, and…

新时期以来，中国的奥涅金研究更加生动鲜活，奥涅金以更加丰富的面貌在场了。

3·In Eugene Onegin, one of his masterpieces, Pashkin told stories and expressed feelings both in the first person: I.

普希金的代表作《叶甫盖尼·奥涅金》运用第一人称“我”进行叙事、抒情，长期以来，人们总是认为“我”就是普希金自己。

4·The reception and interpretation of Eugene Onegin have been deeply influenced by the native perspective of Chinese academic world.

本土视角深刻影响了中国学界对于叶甫盖尼·奥涅金的接受与阐释。

5·In this handsome 1988 film of Tchaikovsky's opera Eugene Onegin, director Petr Weigl attempts to solve the problem by letting each group of performers do what they do best.

在这个漂亮的1988年柴可夫斯基的歌剧电影叶甫诳孜灏i金，导演彼得weigl试图解决，让每壹组的表演者的问题做他们最擅长的。

6·Something of a contemporary Eugene Onegin, Maxim wore black turtlenecks and appeared deeply absorbed by considerations and calculations beyond the normal range of human cognition.

马克西姆有点像当代的叶甫盖尼·奥涅金，穿着一件黑色的高领绒衣，看上去像是“深深地沉浸在超出了人类认知的正常范围的思考和计算中”。