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1·Postmodernism. Deconstructionism: the text is dead, the author is dead, the reader is dead.

后现代主义。解构主义﹕文本死了，作者死了，读者死了。

2·The backbone of Derridas deconstructionism lies in infinite movement of differences between signs.

德里达解构主义的要害在于“符号差异的无穷运动”。

3·The Archaeology of Memory can be seen as a manifestation of the deconstructionism of Jacques Derrida.

《记忆考古》可以说是以作品印象对于德里达“解构”学说的一种表现。

4·And deconstructionism denies the ultimate meaning of the text, but at the same time overstates translator's subjectivity.

解构主义在否定文本终极意义的同时夸大了译者的主体性。

5·The third is: the forming of linguistic point of view in philosophical hermeneutics and deconstructionism-the influence of Heidegger's linguistic turn.

第三部分：哲学诠释学和解构主义语言观的形成——海德格尔语言转向之影响。

6·In the academic circles, both Derrida and the Yale School are considered as deconstructionism with the differences between them almost totally neglected.

学术界常把德里达与耶鲁学派一起称为解构主义，忽视了二者的区别。

7·Such as constructionism, Deconstructionism, Symbolism Phenomena, Acceptance Aesthetics and Acceptance Theory. All take it as their theoretical basis.

结构主义、解构主义、符号现象学、接受美学和接受理论等，都从这里找到了自己的理论根据。

8·With the emergence of culture turn and deconstructionism, people have realized the importance of translators gradually, and admit the subjectivity of translators.

随着西方文化转向和解构主义的兴起，人们意识到译者的重要性，译者主体性的地位逐渐得到人们的共识。

9·The author tries to discuss the objectivity of the existence of creative treason based on different theories such as hermeneutics, deconstructionism and aesthetics.

本文从阐释学、解构主义以及美学等理论的角度出发，试图多角度、多层面地对“创造性叛逆”在文学翻译中存在的客观性进行理论上的探讨。

10·The biggest characteristic of deconstructionism is the theory of reversing the center, reversing the authority, reversing the dual confrontation, reversing black or white.

最大的特点是反中心，反权威，反二元对抗， 反非黑即白的理论。